African-American music is derived from the characteristically polyrhythmic music of Africa’s ethnic groups, in particular those in the Sub-Saharan, Sahelean, and Western regions. African oral traditions encourage the use of music to relay messages, ease suffering, teach lessons, and convey history, which are key features of African-American music. The African pedigree of African-American music is apparent in some common features: Complex multi-part harmony, melisma, the use of falsetto, blue notes, swung notes, improvisation, percussion, syncopation, and call and response (Www.blackartdepot.com).
When it comes to music, the use of soprano voices is usually associated with women; it is uniquely ‘female’. Although nowadays a lot of male can come up with soprano in their music, it is still considered feminine. There are a lot of female artists who do this e.g. Beyonce, Mariah Carey etc. Another feature is in film and visual arts, where long hair, weaves, or braided hair are considered uniquely feminine. In a lot of movies, it is the women who have plaited hair. It is a feminine feature, even though; some men have plaited hair in films and movies.
6. Since much of postmodern literature, architecture, and art are considered “funny,” explain why humor and parody appear so essential to postmodern expression. Provide examples to defend your point of view.
When it comes to humor and parody, is the inclination of postmodern culture, theorists, and artists, to be parodic or playful. Certainly, films or shows will frequently step outside of representation that is mimetic all in all so as to make themselves humorous in mid-stride. Hutcheon explained that Parody- often called ironic intertextuality, appropriation, pastiche, or quotation—is frequently regarded as being essential to postmodernism expressions, both by its defenders and detractors. While the vital concern, of