Therefore, the observation and analysis of this song demonstrates the development of contemporary dance and ballet.
Contemporary dance and ballet exemplifies a form of sovereignty and liberty in the movements. Anciently, dance movements were entirely confined in a regular routine. In this case, antique choreographers viewed dance as a repetition of a regular sequence of movements (Dunning, 2). Subsequent generations of dancers criticized the principles that regulated ancient dance. According to the modern dancers, the ancient movements incapacitated originality in art. Therefore, they implemented a new technique that would enhance human fecundity, and that would be freer. Their implementation invented the movements in contemporary ballet. Isadora Duncan and Mary Wigman were amongst the spearheads of the new enactments (Foulkes, 1). This feature is evident in the performances of the song My Immortal. Upon performance of this song, dancers manifest a freer maneuver on stage. Additionally, creativity manifests in the occupation of the stage. In this case, the artiste is not limited to a rigid routine. The performer takes abrupt, but congruent maneuvers in different spots of the stage. This feature amounts to an ideal stage occupation procedure. Consequently, the artiste captivates the audience to the movements on stage (Horosko, 12). Evidently, this exemplifies a modification from the ancient patterns of regular routines and movements on stage.
Gestures are an indispensable aspect in dance. Contemporary ballet pronounced emphasis on the use of gestures in the movements (Brown, 22). This would also be an immense platform for the exploration of creativity in dancing art.