The main premise of a feast is the coherent element of the painting. The gods, each doing their individual thing, add to the atmosphere that it conjures. The blasé expression of these gods gives off the homogenous quality of the theme. Priapus trying to carry out his ill-conceived plan against Lotis and the ass is also prominent in the painting. Famously, the x-ray photographs of the painting prove that contrary to the assumption that Bellini was not able to finish the painting because of his death, there was no such requirement for Titian to complete it. Rather, historians agree that the alterations were executed to make Bellini’s painting flow seamlessly with the other paintings in the Alabaster Room. “Eliminated by Titian’s intervention was the contrast between the figural group, so markedly animated by means of colour, and the regular repetition of tree trunks and the uniform dark green of the leaf canopy” (Bätschmann 210). This would have given it more balance as an undeviating background would have made the scene of the gods the main focus of the eye. For lack of a better word, the painting evoked a sense of noise. In totality it looks great in the sense that there are the human elements that make it interesting and playful to the imagination. It reminds me of Leonardo Da Vinci’s ‘The Last Supper’ in many ways. Both have religious themes, both portray a particularly interesting and much-written about scene and both are classic works of art by two great artists of their time.
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