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Film and music - Essay Example

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He had gone through a very traumatic event during his childhood which led him to getting amnesia and he even forgot his own name. He was suffering from guilt complex which made him get imprisoned for a crime he actually did not commit. The paper will compare and contrast the two film Noir films. The idea here is to bring out the relationship between the two films.
These two films highly emphasize on the influence of the Theremin and experimental music for the scores. The composers of “The lost weekend” and “Spellbound” have made use of theremin all through the film from the start to the end. Rózsa has made use of theremin as a way of integrating boldness and creativity in the recording. The composer has also used the two films to emphasize on the psychological impacts on the characters. Spellbound is an American Thriller which tells a story of the new mental asylum head who later turns out to be what he does not claim to be. The purpose of the film is to highlight psychoanalysis virtues which come with the banishing of restoring reason and mental illness. The lost weekend film shows the life of an alcoholic writer and particularly on a weekend alcoholic binge.
Rózsa was born in Budapest, Hungary in the year 1907. He grew up with a love for folk music. He had an increasing interest in two modernist composers in Hungary who made use of Eastern European folk music in doing their compositions. Even though he admired the kind of music they composed he did not think that their methods would work for him. Rózsa’s’ early compositions reflected these influences and much later in the year 1934 he considered engaging in fill scoring. He came to the realization that concert music could not uphold him. He eventually moved to London where he began working for Zoltan Korda as well as Alexander with the hope of setting himself up as a film composer. His music for the Lost Weekend film ...Show more
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The music for the film noir has been neglected, and I am going to look at the music aspect of this film. Most film noir have always been defined by their visual and even narrative aspects…
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