The essay analyzes The Gulf Stream by Winslow Homer. The painting of ‘The Gulf Stream’ was created in 1899 and it was a sort of synopsis of the artist’s own lifetime experiences which were steeped in adversity and combined with the memories and reflections of his life…
‘The Gulf Stream’ (1899) is a spectacular painting by one of the greatest American artists named Winslow Homer. (1836 – 1910) This painting, which is an oil on canvas one, depicts a rough sea with a boat that is tossed about its waters during dusk. The artist had done this painting during the last 10 years of his life, when he was 63 years old. The painting of ‘The Gulf Stream’ was an oil on canvas painting whose dimensions are 28.1 inches by 49.1 inches (71.5 cm x 124.8 cm) Presently, this painting is housed in the Metropolitan Museum of Art. The background of the painting shows a rough and violent seascape and a partially lit sky. The center of the painting shows a small rudderless boat, devoid of mast and sails, bobbing up and down on its dark waters. The solitary figure of a man, battling the waves, with huge hungry sharks all around him stands out against the dark background of water. On the right of the boat in the distance a water spout can be seen rising up into the clouded sky. The actual painting of the rough sea is done with brush strokes of blue and gray that occurs alternating with scant brush strokes of reddish brown. The entire scene is bathed in a creamy white light depicting either dawn or dusk. In the far away distance is the ghostly outline of a ship, very vague in its form and shape, but unfortunately the ship is not noticed by the man in the boat. There is a sort of aesthetic realism that is portrayed in this composition. In as much as the author consciously separates the good. ...
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‘The Gulf Stream’1 (1899) is a spectacular painting by one of the greatest American artists named Winslow Homer.2 (1836 – 1910) This painting, which is an oil on canvas 3 one, depicts a rough sea with a boat that is tossed about its waters during dusk.
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