Through the 1863-oil-on-canvas painting of “Olympia”, former realist Edouard Manet occurs to convey a personal style of exhibiting his subject of nudity which is one essential characteristic of Realism. Besides the artist’s sensual treatment of “Olympia”, the art piece may be identified as well to possess an Impressionist trait in the manner the female figure is placed at the center, seemingly far from the ideal Greek-oriented setup. For this, Manet’s work had suffered excruciating degree of criticisms from the society as it chiefly disobeyed the conventional principles of the Renaissance art. One notable detail in “Olympia” is the tailoring of the nude woman’s eyes. They evoke confidence of all that she was in a seemingly pure marble-looking complexion stroked in conflict with her portrayal of a prostitute. A black maidservant provides additional evidence by handing over a bouquet of flowers as from an admirer though the look in her eyes was traced after an accomplished harlot who would not pay immediate attention nor find meaning in such a present. On the other hand, Edgar Degas is widely acclaimed for the works “The Dance Foyer at the Opera on the Rue Le Peletier” (1872) and “The Ballet Rehearsal on Stage.” (Edgar Degas – The Complete Works). Both of these paintings depict a common theme of “dance” which Degas may be observed to have fondly dealt with in most of his accomplishments. The two crafts, likewise, project an Impressionist concept based on the significance of interior.
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