The art cinema motivates its narratives through being real and authoritative. It shows us the real location of events as well as the real issues that we face daily. In order to change the main character of the movies, it is good to choose a character that has specific goals, well stated and is object oriented. The art of cinema is not concerned with the actions of the characters; instead, they are concerned with the reaction that they will get from people who watch the film. A better way of restructuring the art cinema would be putting emphasis on actors. This makes them feel that the welfare and role they are doing is important not only to the viewers but also to the producers, therefore, ensuring a good working relationship in the production of a movie. In ending some of the stories stated, it would be possible to change them as follows; In the art film “L’ Avventura” where character by the name Anna is lost and not found, it would be more appropriate to change the plot and end it in a way that maybe the body is found dead in unknown place or maybe show her happily living with an unknown person. This makes the viewer know what happened to her in the end. In “a bout de soufflé” was the reason for Patricia’s betrayal of Michel remains unknown, the plot could change in a manner that she writes and leaves a note explaining why she betrayed him. Such changes will make the viewer contended after watching the film since they are fully aware of what happened rather than leaving them in suspense.
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