or is addressing is that American portrait painters were also able to acquire worldwide acclaim during the 1890s and Cecilia Beaux is an example of this. Her first painting, Les Dernier Jours dEnfance allowed her to enjoy an international presence when the painting was accepted by and hung in The Salon in Paris. Cecilia was able to rise to acclaim despite the fact that she was pressed for resources and that she was not exposed to art during her childhood.
The most important information in this article is that Cecilia had support from her family. Most art students and specially females in the 1890s mostly had to face criticism from both their families and the society. While Beaux had to face certain opposition from her uncle, he finally relented to providing her the required exposure. Her uncle was of the view that Cecilia ‘was a seemly girl and would probably marry. Why should (she) be thrown into a rabble of untidy and indiscriminate art students’ (Slatkin, 158).
Even when Cecilia began her first project, she had great support from her family. She sister agreed to pose for her despite this being a tedious job. She also helped in setting the props for the picture. Even her uncle supported her to get her art lessons. Also it was her friend who convinced Cecilia that her picture was worth being displayed in The Salon.
The main inferences in this article are that Cecilia did not have the most advantageous lifestyle and yet she rose as one of the most respected and popular American portrait painters. She did not have a proper tutor to help her develop finesse in her work. She only had a part time teacher who also did not complete her training as an art student.
The key concept that we need to understand in this article is art is not looked upon as the most favored profession even among the traditional families today. When Cecilia began her career, there were very few women artists in Philadelphia. Also we need to understand that it in order to become a proper