This is determined by indoor or outdoor situations where the approach is to light the interior and subject and calculate the exposure based on the interior and exterior lighting. A perfect example is the work of Art P Suwansang on the bridal image with outdoor lighting. This enables the photographer to take perfect photos valid for editorial portrait (Rand & Meyer, 125).
The beauty of an editorial portrait is also determined by the wardrobe of the correspondents. This implies that clothes are essential factor in setting the scene and outlining hidden information behind the portrait. Many viewers and readers determine the feel of the portrait using clothes worn by correspondents. It places a subject in specific time to match the situation and motive of the portrait. For instance, renowned photographer Anna Williams believes that having the best wardrobe combination is a perfect idea in photography. That is why shirt or any piece of clothing may inspire viewers and readers in a photo. At the same time, a black leather jacket may inspire a rebel without cause themed shoot (Garret 1).
Props also play an important role in telling a story in editorial portraits. An individual can use props to accentuate their message to their viewers and readers. According to Benning Arjan, a popular photographer, taking portraits entails gathering simple objects. When taking pictures, photographers should incorporate an interesting chair, an old clock or unique pair of glass to inspire an entire shoot. Keep the props in mind to fit the concept that has been developed for an entire shoot (Adler, 9).
In conclusion, it is evident that environment, wardrobe and props are essential factors in creating a perfect editorial portrait. The photographers should be cautious in the entire shoot in order to come up with an interesting and fascinating picture for the readers and