The sound effects were perfect with echoes employed especially during the flashbacks. The director Powell also manages to shift the tome of the play depending with the occurrence especially using tonal variations of the actors. The most striking feature of the play in terms of sound is when Willy crushes his car indicating the end of the play. The lights then go off. The Director used light to depict different moods in the play. Instances of somber moods were braced with dim lights while brighter lights braced happy moments. The actor’s participation was perfect especially with stage position at the stage while Willy and His Son’s were conversing. The actor’s participation was so real that it managed to moved the audience. The play was full of laughter, murmurs, while other shed tears at the tragic death of the salesman. Willy’s participation and expressions of anger and somberness made this play look very real. Background music employed especially vocal tunes carried away the audience making the play to look so real. Use of gestures and stage movement encouraged actor’s participation. Symbolically Willy decides to plant a garden in the play, which is a symbol of satisfaction. Willy wanted to make his son achieve the American dream but his son Biff denounces him when he finds him cheating on his mum with a mistress. During this time, Willy picks a hoe and goes to the garden to pant some seeds. The actions look real even though this play is a stage performance the director Anthony Powel has managed to draw this symbolism. Willy’s action with his wife is marvelous. During the opening stage of the play, he holds his wife and tells her, “Linda people laugh at me when I tell them am feeling kind of temporary about myself and after all the highways, the trains, and the appointments, and the years, you end up worth more dead than alive”. The director of this play hints Willy’s tragic death, which still
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