Important Patterns the Plot On the surface the plot of the film seems rather simple: just a single set and a handful of characters, but upon close observation we realize that just by means of editing Alfred Hitchcock puts life in the plot, makes it suspenseful and attention-grabbing. Fawell (5) in his books suggests that Hitchcock believed that everyone was involved in something physical and nasty behind closed doors”. This belief can be assumed as a basis for creating Rear Window, where Hitchcock portrays the concept of voyeurism trough the central character of his film. But he applies the voyeurism concept in a positive manner by projecting parallel concepts of human loneliness and need for empathy. The opening scene shows a broken camera with a picture of an airplane taken at very close range. The protagonist, Jeffries is seated in a chair with his foot in a cast. In order to kill his boredom, Jeffries develops the habit of observing his neighbors through his rear window. He allocates nicknames to these people and observes their intimate lives through an impersonal distance. There are significant elements of voyeurism in his observations as he watches the ballerina dancing seductively in her underwear, a couple which sleeps on the balcony, a newly-married couple engaged in an intimate embrace that keeps pulling down the blinds, a pianist who is trying to woo women with his music, a spinster who is looking for love in the oddest of ways and an unhappy salesman who is frequently quarrelling with his wife. Hitchcock uses the technique “point-of-view” which enables the viewer to look at the entire film through Jeffries’s perspective. Through Rear Window Hitchcock uses voyeurism that results in a positive outcome as Jeffries through is odd interest in neighbors solves a murder mystery, saves his own life and salvages his relationship with Lisa. Towards the beginning of the film, Jeffries’s nurse Stella says “we’ve become a nation of peeping toms”, this is the central theme around which the plot of the film revolves. According to Fawell, Hitchcock blows up the single set from the window into a view of thirty-one city apartments that appear to be like an elaborate doll-house (4). The very concept of using an apartment building instead of neighboring houses contributes immensely to voyeurism. This is so because in case of a house with a rear window the other visible window could be of one neighboring house, which would have to be the killer’s then there would not be any significance of other characters. The very concept of voyeurism stands out when Jeffries observes the intimate lives of various characters residing in apartments of the opposite building, not just the killer’s. Hence although the protagonist in the film is firmly seated in one place, we are able to see multiple views through his eyes—or the eyes of the camera. This Hitchcock has executed to perfection with close-up shots, tracking shots and film montages. For example when Jeffries is talking on the phone
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Thematic Function of Style in Alfred Hitchcock’s Rear Window Central Theme Alfred Hitchcock’s film the Rear Window is a creative master-piece. The central theme of the paper is to identify the elements of voyeurism in the film and to determine the favorable consequences of such behavior in Hitchcock’s Rear Window…
Alfred Hitchcock is famously known for his work which revolved around real people living with feelings and real emotions which successfully have made the audience to hold their breath and kept them entertained. Most of his works spin around voyeurism, gaze and feminism as essential trademarks developed for his movies’ themes.
Respectively, the film’s cinematography has been a far less researched subject. At the same time, it seems that the cinematography along with music in this film plays a greater role in conveying the film’s message than the narrative itself. Just as the film’s title is Vertigo, i.e.
[Name of Student] [Name of Instructor] [Course] [Date] Rear Window: Watching as Dangerous Activity: The 1954 film Rear Window is one of Alfred Hitchcock’s classic thrillers that have retained their popularity over the years. Based on Cornell Woolrich’s short story of 1942 called ‘It Had to be Murder’, the film explores various contemporary issues like gender roles and the increasing anxiety over loss of masculinity; urban squalor and rising crimes that go unreported and even undetected in the urban setting; voyeurism and the audience’s fetishistic attachment to the screen, and so on.
Staging has a great influence on the minds of the audience as it goes through the movie. The surroundings of the characters create an impact on the watcher and tend to control as to what he should feel or perceive. The art of direction includes the manipulation of the surroundings in such a manner that ensures that the audience gets the right image.
Among the tenants that Jeff can see are Lars Thorwald, a jewelry salesman, and his bedridden wife. Jeff witnesses an argument between Thorwald and his wife, after which the wife disappears and Thorwald makes several late-night trips carrying an unidentifiable load.
This was an incident that would mark the psyche of the young man for the rest of his life. Educated in the Catholic school system, the overweight Alfred grew up a loner and sheltered. The cause of his obesity was never determined, although some believe that it was quite possibly caused by a glandular condition.
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The Rear Window is a drama genre. The primary element that helps in identifying the generic identity is the mastery of suspense.
3. What are the principal themes in Rear Window? In other words, what is
Genre is a technique borrowed from literary analysis and founded on similarities in the narrative aspects from which a movie is built. The genre of Rear Window is thriller. A recognizable element present in Rear Window that help