The relatively strength of the imperial system declined somewhat in the early twentieth century when the Republic of China overtook the Emperors as leaders of the Chinese government – possibly one of the periods of the weakest leadership (in terms of strength and prominence, rather than leadership ability), before relatively quickly being supplanted by Mao Zedong and a rigid, strong and incredibly controlling communist government, which still exists to this day, though in a radically different form. This strong leadership has always influenced Chinese art a great deal – art was always seen through the mirror of whomever was in power at the time, and art in China has usually had some form of extremely strong relationship with the government at the time. This relationship took on a broad array of shapes and forms, from simply mirroring some of the ideas of the ruling government, through being highly controlled and propagandized, and finally to outwardly rejecting the power and control of the government over its subjects and artists amongst them. In the Republican Era of Chinese history,
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Your Name Prof’s Name Date Chinese Art and Chinese Government: Acceptance, Propaganda and Rejection across the Twentieth Century China has one of the longest histories of statehood of any country in the world. Its recorded history of a strong, central state dates more than a thousand years before the Common Era (Richard 27), and as such it has always been one of the most prominent forces on the art produced in the country – from monumental and court art to simply influencing the art of the common people…
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3 pages (750 words)Essay
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