According to the research findings the adaptation of a novel into a film is a modern feature. Moviemakers invest on movie adaptations for some reasons. According to Engelstad, a filmmaker does benefit from adopting a bestseller novel in the sense that people get motivated to read the book as well as have a look at the movie. Engelstad notes that there is always a close relationship between the film and the literature, which is prestigious in the film world. The adaptation of a novel into the film started in the 20th century; among the first novel adaptations was Mark Twain’s novel The Adventures of Tom Sawyer. The book has been the most filmed book of Mark Twain’s works. The filmed versions of Tom Sawyer closely rhyme with the plot in the book. The movie having produced first as a silent movie was more of an illustration of the written text. The modification of Mark Twain’ book Tom Sawyer involved the emission of some parts, which promoted racism. This part involved areas in the novel that used the word “nigger” unnecessarily. The novel focused on satire to talk about racist themes. Issues of slavery when the country was busy freeing the slaves were also illustrated by using satire and irony. Adapting this into the movies would take the country back yet it had made so much progress. Engelstad states that opinion and concepts of the book are not simply transformable into a film action and conversation. A student combining the literature and the film work gets to form contact with the author as well get the visual and aural features from the film; this allows the learner to have a comprehensible understanding of the novel. Film adaptation gets to differ from the written text when a person reading the novel creates an imaginary world portrayed by the writer, the visualized image by the reader may not concur with that created by the filmmaker. This explains how different people interpret novels; this explains why people who have already read the novel do not watch the movie. The written text has the power to produce a mental image on the readers’ mind, which cannot compete with the visual adaptation. Combining the two mediums is also difficult, this occurs when the reader tries to connect the images of the film to the figures of speech in the book. According to Agullo, some words expressed in the book could be difficult to adopt in a film; therefore, the filmmakers utilise the computer designers’ in trying to create a close meaning for the imaginary words. This procedure tends to divert the reader’s attention in trying to link the translated new idea in the movie to the book. We can say to the reader a state of confusion arises, and the reader tends to mistrust the filmmakers adaptation procedure. Combining the two forms of work is beneficial in that the film may acts as a stimulating factor for one to read the book. A film does recount the tale form a visual and sound point of view. The film gives the original work a multidimensional perspective. The film represents a filmmaker’s interpretation of the original work. It is an artistic expression, and this differs from one person to another, however, the interpretation may coincide with the authors’ visual interpretation of his work. This ability to capture what the author had in mind does determine the success of the movie because chances are the readers will also relate to film easily. The film world, however, does adjust the original work in order to produce a filmmakers desired effects, these actions tend to make the movie more appealing when compared to the original work (Eyre 20). Eyre appreciates the two art forms; she describes film and literature as two distinct modes of storytelling even when the source of the story is the same. It is evident that not always does the book turnout to be better than the movie. The movie does make the audience appreciate the novel, for example, The Adventures of Tom Sawyer, a screenplay adopted from Mark Twain’
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The paper tells that adaptation of films is one critical area in the world of films, and it is a fascinating field in the world of filming. Every filmmaker desires to visualize his authors’ works accurately, and direct an entertaining film that the audience and book readers appreciate. …
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