representing animal faces, or anthropomorphic, i.e. representing human form. The term “gargoyle” is extensively used with any grotesque carving of buildings of medieval times. They are a fascinating element of medieval architecture and are not only related to medieval churches and cathedrals, but also associated with English gothic castles. Gargoyles are ideal resemblance of great lords, who in order to crush and make natives do what they want, built such intricate fortresses and castles (Stratis Demon).
Although the word “gargoyles” in plumbing sense appear to be followed since Ancient Greek times or even before that but they became popular in medieval times during the Victorian era. During Elizabethan period, channels or troughs used had no carved shapes on them (Stratis Demon). Initially most of the gargoyles used were usually made of wood and were generally undecorated. Along the progress in time, gargoyles were made with stone and lead and were made in the form of carvings of or absurd representations of animals and people. Those carvings were the creation of imaginative and proficient hands, often so ingenious as to carry a little or no resemblance to normal creature.
During the first appearance of gargoyles in 1200 century, the people of other faiths were so much influenced by Roman Catholic Church that they converted to Catholic. An argument for attractive looking gargoyles at that time appeared, since most people were not literate at that time and therefore the images of gargoyles were of great importance then. In addition, many non-believers of Christianity were used to with the religious images like of animals or of those that included both humans and animals (e.g. unicorn, horned God). They were greatly encouraged to join the Christianity by putting similar images on churches and cathedrals as they felt more complacent about it. It is important to mention that some other accommodations like gargoyles were made by churches at