Firstly, the film “The Secret Life of Grain”, represents what many filmmakers might see as an overly chauvinistic view of the world. However, it must also be understood that the culture that exists within the Maghreb is inherently patriarchal and the family associations and expectations that are represented within the film in question are not meant to cause any level of disrespect for anti-feminism. As such, the filmmaker reveals a world in which strict in gender norms determine what actions the men and the women will undertake (Scott 1). For instance, as it becomes clear that the couscous has been lost, it is the expectation that the men of the family must engage in a frantic and desperate rush to locate it. However, when their efforts fail, the gender expectation that is represented within the film is that it is ultimately the job of the women to solve the situation, re-cook the couscous, and utilize male sexual energy as a distraction for what is taking place behind the scenes. Furthermore, the representation of class is one in which the viewer comes to the realization that the moneyed aristocracy/bureaucracy is the only mechanism through which the average societal stakeholder can hope to get ahead. As a direct result of this realization and portrayal, the protagonists of the film find it necessary to ingratiate themselves with these individuals as a means of pursuing this dream.
Interestingly, the second film that will be discussed within this comparison and contrast, “All about My Mother”, represents a differential between those individuals that live within the provinces and those that live within Madrid. Furthermore, whereas it has been assumed that individuals who live in the big city are necessarily more liberal and open-minded than those who lived within the provinces, a unique understanding of class and acceptance is provided within this film; whereby the individuals who live in Madrid are