The discussion will do this by providing in-depth evidence as appears in Akira Kurosawa’s film, The Seven Samurai.
The story mostly circles around a small village that is striving to protect itself from bandit attacks, a condition that forces them to form a coalition with their samurai, who in this case appear rather impoverished. Though the relationship between them is a strained one, they maintain a mutual bond that sees them through a tough wartime in which the community’s needs and individual selfishness dominate and succeed in portraying the theme [importance] of communism and unselfishness over individualism (Wallace n.p.). To start with, Akira introduces the theme of community spirit early in the film through the character Kimbei, who is one of the Samurais. To do this, his film highlights the importance of hair in the culture as we see different hair styles appearing on the heads of many characters. Then contrast cuts in when Kimbei decides to shave his hair so that he can trick some bandits into releasing a small boy who falls into their hands. He shaves his head clean so as to feign the image of a village priest, and at the end of it all, he succeeds in saving the boy. The act of a Samurai shaving his head is sacrificed because the culture views shaving hair as a breach of the culture’s norms.
Kimbei’s life does not go back to normal, but he takes up the role of serving and leading his community because he open up to realities that his community has needs that need addressing, such as protection from the bandits, and dedicates his life to serving them. Further evidence appears when he is seen opening up to his servant telling him that they would rather die serving. The perspective of “we” shows his call for oneness, thus communism. To further in this, Akira tactfully applies a direct quote through Kimbei at the scene where he forces a group of villagers to return to their posts during