Feminist theories in history of art - Assignment Example

Lecturer: Topic: Feminist theories in history of art Eve Hesse’s work that came up in the sixties was to serve as an alternative to the style that was dominant of minimalism and as an early example of a language that was characterized as feminist form. She had pioneered a new approach to sculpture that had combined soft, process-reveling forms that were made from materials that were malleable and references to the human body that were very uncharacteristic especially the female body. She was excited about her machine drawings and reliefs and she looked at them as “real nonsense” in this can be viewed as the same nonsense that was at the middle of the canonical separation of the mediums that are used in drawing, painting and the making of sculptures and this was a way of emphasizing the underlying absurdity that was contained in her work.

This was as though she had received an awareness of her own open wound and she was now trying to accept the absence of meaning and oneness that was in her life turning in to the non-subject of what she considered her non-work she considered this to be the big nothing and generally looked at it as an absurdity, (Wagner (b), 51).On all the levels of being visual which is where the unthought-of resides, Bourgeois’ work categorically goes against these dichotomies that are between the mind and the bod; abstraction and figuration; “visuality” and tactility; flatness and volume, time and space which generate other dichotomies that are more direct such as male-female, and black and white but also those that prevent visual art from achieving the effect that it aims at as thought which is opposition that casts visual art as spatial and narrative as being temporal works on confining each of these to a domain that is restricted of visual body and narrative mind, (Wagner (a), 10).

The selection of diary notes is useful since it develops a position where the reader gets to understand the artists’ psyche n a verbal way rather than a visual one which greatly assists in the interpretation of works of art that are created and these notes range from poems to her inner thoughts about the surroundings that she is in, (Bourgeols, 33).Works CitedBourgeols, Louise. “Selected Diary Notes: 1949-1987.” Grand Street. 65, (1998), 29-38. printWagner, Anne (b). “Another Hesse.” The MIT Press. 69 (1994) 49-84. Print.Wagner, Anne (a).

"Bourgeois Prehistory, or the Ransom of Fantasies." Oxford Art Journal, 22. 2. (1999): 5-23. Print.