A huge spectrum of the art in the 17th century was introduced in Britain from Italy which relied heavily on the physical impression the art depicted. Annibale Carracci and Caravaggio are some of the first Italian painters who ushered the baroque style into Italy. They ensured that naturalism and classicism coexisted to bring the required impression through art and architecture. Churches were painted and decorated in the first baroque style at the time. The spiral staircases can be witnessed in a number of present day buildings in the UK; this was one of the first architect’s works of the baroque period. In Britain art began with stone carving and engraving by the Celtic tribes. Some of the artefacts in the national museum illustrate the beautiful shapes on swords and household goods, this continued until it was conquered by the Romans. The Roman regime introduced the patterned and mosaic approaches in constructions of some of the buildings in the UK. This period is closely followed by the influence of religion which brings into perspective the concepts of illuminating manuscripts. In 1066 after the invasion by William of Normandy the buildings in London were characterised by rounded columns and semi-circular arches which a system is referred to as the Romanesque. Medieval and Gothic architectural styles were later ingrained in Britain’s art system. It is a specific class affair as depicted by the type of people who practiced the concepts, for instance William Morris was a trained architect.
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The essay "Painting, architecture and sculpture of British designers" analyzes To what extent did British designers achieve an amalgamation of painting, architecture and sculpture within their own work. In the 20th century Britain played a minor role in initiating art and architecture…
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