The paper "African Masks in Pablo Picasso's Art" explores the role of African art in Pablo Picasso's art and in the culture of the whole world. The history of African masks dates back to before the Paleolithic era. A major feature used by the Africans to represent culture was through the use of masks in ceremonies, feasts and rituals. Furthermore, the traditional African masks exemplified heroes, ancestors, spirits, codes of conduct and animals. Usually, the raw materials used to make the masks include wood, pottery, textile, bronze and copper. The substitute details in the masks would be made using sea shells, egg shells, animal feathers, horns, hair and bones. Because of the belief that the masks represented the spirits, the makers were regarded as superiors in the village. Also, the art and talent of making masks was believed to be passed in the family hence was considered a part of inheritance. On the other hand, the history of African art by Pablo Picasso dates back to the 19th century during the colonization of Africa especially the North and West coasts by France. The scramble and partition of Africa prompted the expeditions and the travels of West elites in search of riches and adventures which resulted to the promotion African art. After painting Les Demoiselles d’Avignon, Picasso’s paintings were influenced by the two figures on the right side which basically were based on African art. Most of the African arts at that time were being interpreted to be signs of slavery, cannibalism, and mistreatment.
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