The inside of the cup gives an insight of other two Achaeans, who are involved in a discussion of the momentous events dispassionately spread over the exterior friezes. This is one of the earliest instances in which a single epic theme links all three images. Braises are pictured dressed like a bride when she departures from the Achilles camp. A bridal gesture is given when she lifts her veil with one hand and a firm tug at the wrist. She is accompanied by her military escorts who are in military dress labeled as Agamemnon.” In his departure, his companion Diomedes an important Greek hero at Troy makes his presence to be seen as a kind of prolepsis reference depicted on the other side of the vase, at the embassy to Achilles. Our vase supports our alternative version in the epic tradition, that Agamemnon had used threats to go and fetch braizes. This is supported by Achilles words to his mother that Agamemnon has his prize away. These words are echoed their sites in his diatribe against Agamemnon and Nestor when having an argument with Agamemnon to make amends. Here we begin to see the threats posed on the minds of the characters and what actually happened.Diomedes did not belong to the embassy scene either did it exist. He is a mere allusion, as one of the younger and most enthusiastic of the Achaean heroes. He shows his loyalty to Agamemnon and the Greeks. Markons scene acquires power by placing Agamemnon in physical contact with braizes, although it loses its importance through the omission of Achilles.
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