The first impression created by the painting is of an expansive, deep-red sunset above a stormy ocean, which indicates an approaching typhoon. On closer inspection, one can notice a ship sailing off in the far distance. The masts seen on the ship are crimson-red which matches the blood-red color seen in the sky, as well as the sickly copper hue of the ocean that blurs the lines between a number of objects seen in the painting. The sails of the ship have not been unfurled. This indicates that the ship is bracing for an impending typhoon. In the foreground of the painting, there are a number of floating bodies. It is worth noting that their chained feet and hands as well as their dark bodies show that they are slaves who have been tossed overboard from the ship in the far middle-ground. An even more careful look indicates that there are sea monsters and fish circling in the water, probably in the process of attacking the drowning slaves, and there are also sea gulls which are circling above the chaos. The central focus of this painting has been placed on the interactions of a number of colors. Some defined brush strokes are clear in the painting hence the figures, colors and objects are indistinct. To a certain extent, objects have been outlined by their distinctive colors in the artwork. There are some objects such as the incoming storm and the bodies of the slaves which have no genuine border at all. They have been specifically defined by the contrasting pigments around them. The most visible colors are the maroon color.
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The essay "Visual Analysis of Painting II" analyzes the painting. This is a classical illustration of the Romantic maritime painting. The artist behind this painting illustrates a ship which is quite visible in the far middle-ground, sailing in a tumultuous ocean of raging tides…
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