He enrolled in the Fort Dearborn Camera Club, a club dedicated to nurturing the talent of amateur photographers and film makers. He earned several awards in photography during his time at the club, a feat that greatly influenced his future.
Ishimoto returned to his home country, Japan, in 1961 although his devotion to Chicago never faded until his death. This devotion is expressed in his book Chicago – a book perceived as his most personal statement. The book boldly makes use of contrast and brings into focus the influence of his architectural knowledge in defining Chicago. Ever since he left the Fort Dearborn Camera Club, Ishimoto has participated in several exhibitions and published several books.
Ishimoto’s works are influenced by the photography of his contemporaries including Harry Callahan and Aaron Siskind. He adopted the philosophy of seeing while moving from his place of training. His photographs mainly focus on shifting spaces and people and mainly featured Tokyo. His work Tokyo: Yasuhiro Ishimoto is a compilation of photographs of the urban landscape of Tokyo between the 70s and the 80s . Ishimoto took black and white photographs mainly but did not hesitate to experiment with multiple-exposure color abstractions. His contemporary series show the urban textures, and flows, not to mention composite shapes that characterize the metropolitan area. In his works, Ishimoto gave a lot of attention to the way he used light, texture, and form.
One of the notable works by Ishimoto