The paper "Art in America - Abstract Expressionism" investigates the important style of American style, abstract expressionism. The movement was unregistered but strong. Some of its members included: Jackson Pollock (1912–1956), Willem de Kooning (1904–1997), Franz Kline (1910–1962), Lee Krasner (1908–1984), Robert Motherwell (1915–1991), William Baziotes (1912–1963), Mark Rothko (1903–1970), Barnett Newman (1905–1970), Adolph Gottlieb (1903–1974), Richard Pousette-Dart (1916–1992), Clyfford Still (1904–1980). All these members were committed to the audacious formal inventions in searching for significant substance. Their objective was to break away from normal subject matter and technical conventions. Their artistic works included head stoned scales works that were created to reflect their personal psyches. Doing this helped them to tap into worldwide inner sources. These artists attributed a lot of importance to spontaneity and improvisation as process accorded the highest significance. Their works resisted stylistic classifications, but emphasised on dynamism and energetic gesture rather than reflective and cerebral focus on color. Abstracts acted primarily as their imageries. Highly abstracted modern art was favored by the group even when depicting images founded on visual realities. Abstract expressionism is not a specific style within abstract art, but an American group or artists rebelled and formed an independent group which would give them a favorable environment.
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