The production designer had to design a room where a man was to remain a captive for fifteen years with no reason and such task is taunting since it needs alto of creativity. The movie churns with such a fuming energy and by the time it ends, the audience is dazed, ecstatic and even fatigued. Several elements from the Greek tragedies have been incorporated: Franz Kafka’s writings, David Dan arts, and Shakespeare’s plays. Furthermore, the ingenious aspect that comes in the movie is the lighting. Lighting is considered one of the most significant elements in the production of any motion picture. The producer of the film OldBoy is seen to have laid more emphasis on the lighting thus giving the movie a classic texture and as well an artistic appeal. When looked closely, the producer managed to incorporated dark, nightmarish, and hellish elements in a meticulous manner. The scene where Oh Dae-Su clutches the necktie of man to avoid falling off the roof of a building is a perfect example of that shows how lighting is significant. When holding on to the necktie, Oh Dae-Su's face masked in the darkness but his shabby hair can be seen because of the perfect contrast to the bright sun hat is behind him. As the camera continues to roll, bright colors such as purple, green and red are frequently noticed. Camera movements and angles have been successfully been incorporated to make the movie inflicting. The audience’s feelings are highly inflicted in such a way that they are left with claustrophobia and paranoia.
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