In this movie, the audiovisual uses multiple communication channels including mainly: image, sound, verbal language (written or spoken). The sound acts directly on the senses of viewers, much more than the image and the verb. Its impact is much more subtle: an image or a word provide immediate intellectual meaning and cause reactions largely conscious. Instead, this movie is largely beyond an intellectual analysis because its benchmarks are not palpable. The viewer receives it and reacts subjectively. The sound in this movie, more than any other carrier, is handling affective and semantics means of an audiovisual message: images and words. There is a connection between a musical vocabulary, referring to aesthetic and sensory phenomena, and the vocabulary of everyday life, covering an ethical and intellectual reality of this time. Reconciling these two semantic universe can only afford to develop a specific speech and the music gives the tone to the speech in this movie, the music is in very tight collaboration with the sentences, with the environment, with the epoch. In the world of entertainment, the design of a musical message partially escapes its own creators: the intuition and experience offset the lack of a grammar of the language of music. The effectiveness of the message comes with a simple observation: "it works" or "it does not work”...
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This is a detailed review and discussion of the film with legendary Travolta called "Grease". The author will help us to understand how the music in this film works as a glue between actors and the viewer. …
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