These three paintings are placed on the timeline between the 1950s to almost the present time. The immediate years post-war witnessed a heightened level of cultural nationalism during which aboriginal cultures gained considerable weight (Foss, Paikowsky& Whitelaw, 2010, 357).The selected paintings also show a chronological growth from the 1950s to the present time in painting a theme like this. The paintings extend from 1956 to 2007 and that is a time in which a lot of things changed and many new techniques and schools emerged. But in my paper, I do not want to link these paintings to any such type of restrictions along the lines of schools of arts or any specific technique. I am going to compare them with each other only on the basis of the theme that I selected for the paper and that is Human figures in landscapes. So I will just compare them according to how well the theme is presented in all three of them.The first painting that I chose is isSun Dance Scene, Blood Reserve by Gerald Tailfeathers. Tailfeathers was a Native Canadian artist and so he was close to heart with the Native aboriginal culture and their traditions. Being one of the very few Native Canadians who painted, he fulfilled his duty to the great colorful lost culture by painting their traditions. It is painted on paper using watercolors and watercolor is a wise medium for this painting because it gives the painting a tinge of easy simplicity and vividness. The painting shows a scene from the Native culture of Blood Reserve.
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