The essay "The Yellow Christ by Paul Gauguin" explores the artwork by Paul Gauguin called "The Yellow Christ". This painting conveys starkness of the Breton scenery despite gay colors. Women in this painting portray a peasant potency. The outline of image the Christ in the painting and bold shading of women represents Gaugin’s emblematic style. Paul Gauguin uses oil with color pigments forming emulsions for application onto a canvas surface by cloisonnism. The applicator is a paintbrush that spreads the emulsion evenly on a canvas surface. Color pigments are miscible in oil and take a comparatively long period to dry. Shades of colors produced are clear and last for long periods with no risks of fading. Oil and canvas form basic materials for painting since time immemorial. Lines in the “The Yellow Christ” spread all over its frame. Vertical, horizontal, straight, curvilinear, and contour lines mingle in this painting bringing about diversity. Contour lines represent the landscape while straight lines outline the crucifix. The painting is a rectangular frame with dimensions of 92 × 73cm. Shapes of women and Jesus are elliptical and merge with smooth outlines of landscape. “The Yellow Christ” painting portrays a mixture of primary and secondary colors signifying various features. Yellow color in the painting merges Jesus with the scenery. Shades of blue and black on women in the painting depict contrast between bright and deep colors. Contrast of colors form a balancing relationship in the painting.
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This paper aims to cover a Formal Analysis of “The Yellow Christ”, an artwork by Paul Gauguin, of art for contemplation and better self-comprehension. This painting is on a rectangular frame whose dimensions are 92 × 73cm. This painting exhibits features that evoke inner integrity of viewers…
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