The movie also serves to reveal the atrocities of the colonial enterprise in India. Thus, not only does the movie reflect the anti-colonial feelings of the intelligentsia of the world of the seventies and the eighties, it also shows the audience the farsightedness of Mahatma Gandhi, who realised the economic effects of the enterprise on the people of the country. Several aspects of the life of the man are discussed in the story, which do not find mention in conventional narratives. In this respect, the film is different from other films on the man, in that it does not seek to glorify him mindlessly. It talks of the Mahatma as a human being who had several weaknesses of his own. The film talks of the man in his capacities as a politician, a social reformer, a husband and a friend. It also talks of the contributions of Christian missionaries in the development of his philosophy of life. Many of these aspects of his life were untold before the release of this movie. As far as this is concerned, the movie can also, in many ways, be considered to be a historical document. The movie begins with the assassination of Gandhi that is followed by a narration of the events of his life that preceded it. The opening serves to highlight the irony of the life of the Mahatma where he is killed by the very people whom he had served. The event has many more nuances to it than the scope of the movie allows it to depict. The rise of Hindutva and the clamor for a Hindu nation which Gandhi had rejected had led to the growth to dissatisfaction among some sections of the Hindu society. Since the movie seeks to depict the life of Gandhi, it does not go into these details. It reveals the fissures within the society that Gandhi had sought to unite and free. The failure of non-violence as a philosophy is hinted at here. In a society as complex as the one that one saw in India during the 1940s where people of various races and religions lived together, there could have been no one-stop solution. This also is consistent with the movie’s aim of depicting Gandhi as a human and not as almost a divine messiah, as he is often perceived by historians and journalists alike. The film then moves on to Gandhi’s life in South Africa where he was a lawyer. The episode where he is thrown off a train because of his racial belonging is one of the most important episodes of Gandhi’s life and he himself had often said so. The seeds of revolt that had begun to develop within him could be traced to that event. He understood that discrimination based on race needed to be stopped for the social and economic development of people of color. The subsequent developments in South Africa where Gandhi mobilizes the people of color to protest against the inequalities in the society is documented in a manner that is dramatic and may not have adhered to exact descriptions of what happened during those times. However, the larger details of the event are according to what historians have written about it. The origin of the theories of non-violence that Gandhi had developed was in South Africa where Gandhi had seen the cruel face of colonialism and the violence that went with it. He gave this form of protest and resistance the name Satyagraha. This form was dedicated to the understanding of truth and the movie reveals the paths that Gandhi takes in his quest for this truth. The
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Richard Attenborough’s Gandhi Professor number Richard Attenborough’s Gandhi Gandhi, directed by Sir Richard Attenborough, is one of the most important movies to have come out in the 1980s. It talks of the story of Mohandas Karamchand Gandhi, known better as Mahatma Gandhi…
The movie “Gandhi” written by John Briley and directed by Richard Attenborough, is based in that part of the Sub-Continent that was then called India and is now divided between two separate countries, India and Pakistan. Gandhi, returning to India from South Africa on a train is kicked off of it for being an Indian and for traveling in first class.
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