The largest tear is placed on the top of the artwork, with a small piece slightly below the larger piece. On the left there is also a small tear. The grain of wood is well utilized to create a balanced posture of the painting (Mundy, 2003; Masson, Alix & Museo Reina Sofía, 2004). The lining is well done using a thin layer; thus, making it less exaggerated. The use of light and shading is also exemplary. A thin glossy polish covers the painting giving it a smooth texture (Mundy, 2003; André Masson, 2004).
The author is of the intent to let out his feelings on the times after the First World War. The world was slowly coming back to order. Through his painting, he explains life and death, probably of the soldiers of war. There is a portion of the art that consists of a dead bird, a fruit and flowers. The dead bird would imply the death of the soldiers while the flowers and fruit explain the advent of new life (Mundy, 2003). The seeds on the other side explain the force of life. Just like after death there is birth, the painter aimed at explaining that regeneration is
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