The essay "Circles in a Circle by Vasily Kandinsky" explores the work of art Circles in a Circle by Vasily Kandinsky. The paper also considers how Circles is not an offbeat experimental work within Kandinsky’s broad oeuvres. He developed a unique style, whereby, he tried to reign in his artistic imagination within the structure of geometry. The work has several features that were deemed novel upon their introduction. One of the prominent features is the usage of perfect geometric forms. Conventional aesthetic sense had it that mellifluous and obtuse curves comprised the grammar of the art. But what Kandinsky’s art achieved was to open up a new idea of aesthetic. Under this new sensibility, the precision of mathematics is shown to have a place in visual arts. When we search for socio-cultural analogies, there are parallels to the compositional technique of Johann Sebastian Bach. Experts widely accede to the mathematical element behind the composer’s technique. One could read Circles within a Circle as a tribute to the musical genius from the Baroque era. At once, it is also an experiment to test if an idea could be transposed across art forms. Given the rich legacy of appreciation that Kandinsky’s Circles has drawn over the centuries, it is fair to claim that the experimentation has been a success. The great Italian polymath set forth an intellectual tradition wherein science and art were closely connected. Circles is also strikingly representative of Nicholas Copernicus’ illustrations of the order of the Universe.
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The work of art chosen for this essay is Circles in a Circle by Vasily Kandinsky. This oil on canvas painting was first exhibited in 1923. It has dimensions of 38 x 37 inches approximately, excluding the frame. The work is a fine specimen of Modern Art. …
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