Paris never looked that beautiful under the rays of the scorching sun. Natural beauty was at its best! Belin pictures were completely devoid of any form of aliveness. These twelve black and white gelatin prints housed inside this gallery soothed my nerves. These pictures of paris showed different historical stages of this place. She took out the history and the personality of the objects and used these as an inspiration for her amazing photographs. Body: Valerie Belin was born in 1964 in Paris, and held numerable exhibitions before this like the ones in Centre Georges Pompidou, Foundation Cartier pour l’art contemporain, Museum of Modern Art, New York etc. (Dessanay, 2012, p1). Belin gave her pictures a weird mysterious look by combing two negatives together. there was no human presence in the pictures she captured it with a black and white effect, contrasting the light effects. Some details given to the photograph made it so mesmerizing and compelled me to ponder on Belin’s outstanding photography skills. She used the modern technology in the best possible way and gave her pictures a more dreamlike pictorial effect. One viewed these pictures as drawings, not photographs due to their mystic beauty and artistic shades.At one corner of the gallery, crystal vases and glasses laid on the table. She scrutinized the light spectrum of these inanimate objects and focused on the primary process of her photography. The best of all were the pictures of Dancer at the lido, magicians and fruit basket. Supernaturalism of Belin’s work was revealed through her pictures with a less documentary effect. She demonstrated her painterly view in these art pictures which were far away from naturalism which forced me to think of a question regarding the ambiguous scenes that were a part of these pictures. These were captured at oblique angles with perfection and made baroque and disquieting beauty a part of them. One thing I noted was that these pictures had illusions of the external world which made these images artificial and enchanted with fantasies. The black and white effect of the pictures appears to be black markers, giving an image to the viewer that it’s a handmade painting. This was the unique art of Belin that made me out of words. With such exquisite pieces of art, not a single art lover can comprehend what type of technique of photography Belin has used in her art pieces. This makes her art holding legendary and masterpieces. As an art student, all I could this was grasp the hidden meaning folded deep inside the photographs in the streets of Paris. With no presence of human, her pictures left some eerie effects on the viewers. These images appeared to me as apparitional and objects looked hollow. Her photographic skills helped her and she transcended formal resemblance. Messages behind these pictures dangled between illusion and reality. The sumptuous details, visual buoyancy, richness and chaos were the key elements of her pictures which made them remarkable and completely out of the box. With no naturalism, Belin was able to produce pieces which are hard to forget. An unsettling balance was observed between two things-abstract and representational. The subject matter of all these pictures was not the same and provided us to ponder over different things when seeing different prints inside the gallery (Dessanay, 2012, p1). Confrontational and beautiful art pieces were illuminated inside the gallery. With perfect
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Journal Entries [Author] [Institution] Valerie Balin YOHOHO Exhibition at Michael Hoppen Introduction: The moment I entered Micheal Hoppen Gallery, every fragile piece of art that towered in front of me left me speechless. Valerie Belin’s creations are suffused with a delicate decadence of surreal imaginative places…
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