In the figure, a man and a woman are seated leaning towards each other with both their hands on the shoulders of each other. In addition, the outstanding attribute in the sculpture portrays the oval faces, inflated noses and prominent noses of the male and the female. The other distinctive attribute of the sculpture entails a concave depression under their buttock, which circumvents the male and female from tipping over. In principle, the depression allows the male and female to sit comfortably (Masters in art, 32).
As can be observed in the figure, the male and the female portray an overblown looking and hyperbolic facial characteristics exemplified by bloated eyes. In the figure, the eyes and the mouth of the male and female are pointed out by perforated rectangular openings. The other identifiable attribute of the sculpture is the unique shape of the head and face of the male. Essentially, the head portrays a rare development on the forehead of the male bulging outward. The male is also a larger abstract object when compared to the female, a representation of the real-life body size ratio between the males and females.
The sculpture also portrays an unclothed male and female with no decorations holding each other. In reality, the male and the female have communicative long faces. Undoubtedly, the short straight noses and bloated ears are distinct attributes of the male and the female in the sculpture. Besides, in the figure, elongated head and the long ropey arms are also identifiable in the figure. The symmetrical and shared role of women and men in the society are captured in the sculpture. These two figures share graphic, lucid and abstract elements that are characterized by few infrequent disparities. The Females and males are interconnected as is depicted by this gesture, but they at the same time depicted as two discrete units. The sculpture is effective in its portrayal of marriage as an arrangement where two
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