Despite the discovery, it is also vital to note the role of traditional design efforts, which focused on value rather than user feeling.
Having landed in the discipline of interest provides a feeling of satisfaction to undertake various things in the field of design. My training contributes to user centred design in a number of ways. With regards to visibility, a user centred design should have a mental model that predicts significant elements such as navigation in the design. Additionally, it should offer accessibility through colour coding and organised information that allows viewers easy access. It is vital to note that my discipline plays a crucial role in initiating these factors. Moreover, legibility and language of user centred design should be appropriate. Evidently, my discipline is a key player in inducing ornamental designer fonts with rhetorical assistance; nonetheless, it ensures language used in any design remains relevant and understandable.
From an aesthetic angle, the world is gradually transforming in terms of human taste and preferences. The change has left designers with a myriad of challenges on the direction to take. in response, a series of creativity initiatives have prevailed in the artistic world. Additionally, the human surrounding is continually changing with the continued development. The expansive development is taking away the aesthetic value, in the process replacing it with contemporary outlooks. These changes are driving designers to current survival techniques that constitute user centred design. Historically, the journey of design has traversed through different elements of design. It started with the reconnaissance period where designers had an upper hand in their products. They had autonomy to choose the colouring system, what to include in their design and even contextual components. It was a