Contemporary theory and art - Essay Example

Contemporary Art and TheoryDifferent types of binaries of performance have posed a negative implication to traditional types of visual art like painting and sculpture. Evidently forms of Dada performance was inspired by Cabaret and Vaudeville. In this regard, it depicted the desire to appreciate and embrace the popular versions of art and the cultural modes of dressing.Dada reiterates that performance is means designed to get rid of traditional types of culture and aesthetics. This consequently leads to the discovery of true reality.

One example is evident through Joseph Beuys in which he employed actions in description of performance art because it distinguished traditional versions of entertainment evident in theatres.Furthermore, performance can be applied in social concealment or entertainment. In this regard, Yves Klien in the artwork Anthropometries depicts the natural state of a woman’s body. In this regard, the human body can be regarded as a form of art dependent on several scenarios. Evidently, the artist seeks to justify the woman body as art without an attempt of objectifying women.

The implication is that, such a performance private or public as well as either collective or personal.Another feature of binary performance is that it can be presented in a non-traditional manner to the audience. Its major form of characterization is grounded on space and time. In relation to space, the performance is guided by an individual’s perception of movement. In this regard, the movement undertaken is similar to a drawing depicted on space. Furthermore, the voice employed is a character depicting several polarities.

This is evident in terms of the high or low pitch of the voice. In addition, voice has the capacity to perform independently or collectively. An important measure of depicting voice is by viewing it as an internal part of the performer.Another version of binary performance is participation against no participation, low art versus high art, performance versus gallery. In this regard, classical works and paintings are distinguished from performance art. Furthermore, both the performers and audience are in the equal space.

However, there is a lack of interaction among the performers. Aaron Williamson and Chris Cheek are notable performance poets that have identified a nitch into which noise making incorporates verbal articulation within a play. This has been evident through past performances by Aaron Williamson by developing language during the Performance Poetry Seminar held at Dartington in 1996.