The understanding of the painting is, therefore, universal (Fiero, p. 45).
The painting was originally identified as the work of Lorenzo di Pierfrancesco in 1500s. It was however after a serious consideration of the characteristics of the paintings and related them to the paintings of the time, and historians have identified that the painting dates back to around 1485-87. The design of the paintings has, therefore, been associated with the work of Sandro Botticelli. The painting has a rich historical presentation that is stored in its design and style. It depicts the breezes and the winds that bring forth Venus, the goddess of love who rises from the sea to the mainland (Fiero, p. 45).
The Platonic perception of Venus is seen in two aspects. First, she is an earthly goddess who caused the physical arousal to physical love and human affection. Secondly, she is also seen as the heavenly goddess who inspires and develops intellectual love inside the people who recognize her. According to the teachings of the Platonic Academy, the induced contemplation of physical beauty and love increases the chances that the person will understand spiritual beauty. This implies that Venus, being the goddess of love uses the physical attraction to lift the mind towards something greater. As such, the importance of this painting has currently been used by religion to depict that physical beauty and attraction should lift minds towards the creator ((Frank, pp. 85-90).
The Birth of Venus depicts Venus, born from the sea and arising as a nude statue that is floating on a sea shell. From the West, Venus is blown by Zephyr, the West wind. The nymph, Chloris is at the shore prepared to dress Venus in a beautifully flowered mantel. The artist uses a fully committed naturalism style in which he has employed the use of space and representations of natural phenomena, sea, wind and flowers to increase the fantasy. The blowing of the winds that
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