Also, the preservation of the original music score by the library of congress helped in the restoration of the film.
Animation of the characters is evident in the film. They have been depicted and designed out of a black sheet of paper and made to move on backgrounds that are lit and photographed from above. It is evident that Reiniger has used simple techniques, but the film that was compiled by the British Film Institute to commemorate her work is highly sophisticated. The Dr Dolittle shorts are irresistibly enchanting as each animal in the menagerie has its own defined personality. At the scene where Dr. Dolittle boat runs into trouble on the route to Africa, the chattering duck retrieved the doctor’s top hat from the ocean waves. The chubby pig was also scared to use the ship and opted for a piggyback ride to the show. The monkeys that the Dr Dolittle found at his destination appeared as complex and individual portraying the best live-action characters in the film. The act of the animals was perfect as Reiniger spent hours at the Tiergarten in Berlin, where she studied the animals closely to monitor their movements (Reiniger, 1926).
The paper cut-out symbolized the characters and other features in the film. The research carried out enabled the paper cut-outs to be maneuvered by sheets of lead. This manual practice made the animation more charming and truer-than-life. The potential of errors resembles the current computer generated smoothness. It is also apparent that after viewing Reiniger’s animation through many years of continuous 3-D invention, it still possess more ‘life’ Thus, has enabled Reiniger to stand out (Reiniger, 1926).
The adventures of Prince Achmed film are recognized as an early example of filmmaking. This is shown by the mechanical magic lantern slides, hints of vaudeville theatre that has sequences of acrobatic physical comedy and the separate