Representation of Masculinity in Die Hard 2 Name of of Instructor Name of Course Date Representation of Masculinity in Die Hard 2 Topic 4: Drawing on your Mulvey and Neale readings, as well as Tasker’s discussion, analyse the representation of masculinity in one of the Die Hard films…
54). However, at times, when these action heroes start going back to the action roles that brought them into the limelight, in some instances, several years down the line, scholars extend their ignorance and overlook the fundamental divinity of age as they discuss the hard bodies of these hegemonic heroes (Bould 2005, p. 39). As such, this paper intends to analyse the representation of masculinity in one of the Die Hard films, namely Die Hard 2. The analysis will be drawn by references to the works of Mulvey (1974), Neale (1983) and Tasker (2004). Masculinity as a spectacle merely depicts an idea of opinion which a filmmaker tends to deliver to the audiences. This depiction merely involves physical prowess, sexual virility and aggression (Rzepka and Horsley 2010, p. 61). These are potentially bewildering images of action heroes. With that in mind, it is interesting to note that this hegemonic ideal is not only hard to create but also implausible to maintain for the contemporary male. Therefore, the figure that depicts powerful masculinity may only exist or be embodied in legendary heroes, mythical figures and a minute number of males within a society (West and Lay 2003, p. 27). Die Hard 2 is a story revolving around a police officer who lives in New York. The movie begins when on the eve of Christmas he visits his ‘distanced’ wife, who lives in Los Angeles. Upon his arrival, he finds her and the rest of her work colleagues having a Christmas party at the building in which they work (Gates 2006 p. 35). Coincidentally, some criminals posing as political terrorists invade the building, demanding the release of war criminals who are jailed in an American penitentiary facility. John McLane works as a New York law enforcement officer. He stays far away from his wife and has some unresolved issues; it is partly due to them that he is not on good terms with his wife (Rzepka and Horsley 2010, p. 89). He is a masculine character with virile physical prowess and social dominance. Another important aspect is the high level of aggression noted among these heroes. Prior studies undertaken concerning the subject matter of Hollywood’s presentation of male genres have characterised Die Hard 2 as a male-driven action movie. The audiences of this movie will not find it difficult to spot the genre of the movie, i.e. male-driven. This is visible and prominent in the case of presentation of the lead hero as a macho man (Milestone and Meyer 2012, p. 50). This is because of his spectacular ability to wrestle his enemies, which is a trait of a hero from a movie of the male-driven genre. Indeed, extant studies and research from a feminist perspective clearly state that the physical masculinity of an action hero gives a preferential tone for the action narrative (Carroll 2003, p. 79). An analysis of Die Hard 2 highlights that movie directors focus on physicality in such action heroes as John McLane, and the way they display their bodies forms a vital ingredient of the visual effects (Gates 2006, p. 58). Several suggestions are that American action films strive, frequently at the expense of developing the narrative, to contrive situations or instances for displaying the body of an action hero. Ideally, extant literature that examines both the hegemonic male and the action hero ...
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“Masculinity Representation in Films Essay Example | Topics and Well Written Essays - 2000 Words”, n.d. https://studentshare.net/visual-arts-film-studies/71277-drawing-on-your-mulvey-and-neale-readings-as-well.
How is the McClane character represented as a site of identification? As spectacle? Masculinity has been displayed on the any genre of films. In particular, the action films are one of the most visible examples for masculinity. The Die Hard series are, compared with pre-action films, not perfect for representing the masculinity; however, those show the general men’s attitude.
And yet, at some times when these action heroes start going back to the action roles that brought them into limelight, in some instances, several years down the line, scholars extent their ignorance and overlook the fundamental divinity of age as they discuss hard bodies of these hegemonic heroes (Bould 2005: 39).
In the 1930s, film producers concentrated more on war and romance. These films relied on unrealistic and exaggerated portrayal of sexual relationships and romance to appeal the audience. The films positioned women on a narrative scale of patriarchal capitalism (Berry, 2000, p.
How is the McClane character represented as a site of identification? As spectacle? The dominance of masculinity over femininity is visible in every segment of human life. This power has occurred throughout history, is alive and well today and is likely to continue in the future.
The Representation of Masculinity in Die Hard 2. The dominance of masculinity over femininity is visible in many aspects of human life; it has occurred throughout history, and it is likely to continue following the presence and continued production of films depicting males, as the characters to look out for in the said films.
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o reinforce the element of maleness in sport, which has increasingly seen major transformations with the advent of other ‘creative’ and ‘feminine’ sports into the male domain, with a view to reinforce ‘true manliness’ into the social and cultural spheres.
This power has occurred throughout history, is alive and well today and is likely to continue in the future. As evident in the film, masculinity has both physical and mental power over femininity. According to Carroll, John McLane in the
Since the earliest days of the American film industry, masculinity has been represented in similar ways with few changes, if any. For instance, the films dating as early as 1970s have shown an extent of exaggeration of masculinity.
In the first article, Carlos Cortes reveals the existence of a negative image regarding the representation of Chicanos in films. The dilemmas evident in this film are the link between education and the Chicanos image and the degree of the effects of the negative stereotypes and their impact on education.
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