In the recent TV dramas “Dollhouse” ad “Lost” time runs in a non-typical way: it either does not exist due to memory erasing or does not matter due to the crash of civilization. In these challenging circumstances gender identity is shaped in a different way: lacking temporal and social determination gender (feminine) identity becomes problematic and even unpredictable.
Creating his “Dollhouse” Whedon aimed to raise an important philosophical question of the relationships between body representation and identity, and gender identity in particular. He author was always interested in overcoming stereotypical perception of women in his works, and this TV drama did not become an exception. The programs main assumption is that the individuals character can be literally extracted from the person`s body and saved as the information on hard drive. While the remaining hollow organism (which is perceived as a “doll” as it is devoid of any personality) can be “imprinted” with a new identity. This mechanism makes the main hero of the series - Echo – a person with no permanent inner self. That is why it leaves her in the space without time, as one of the major characteristic of time perception is development, growth, and change. The concept of such transformation creates a serious question whether a person devoid of identity, emotions and thoughts can be considered a woman, a human. The main character, the human being which was transformed into Echo, is the one who is real (whose name is different- Caroline) gets stuck in her body unable to make her soul and inner self evolve because her body is used as capsule for other identities. It is interesting the creators of the series realized that the absence of the character`s gradual development was the reason of popularity loss and that this why the series was cancelled. That is why it is possible to suggest that on some deeper level the lack of coherent identity was perceived by