As The Guardian observer said, Metropolis predicted the ideology of the class and race in 20th century (Bradshaw). Metropolis in a very distinct and accurate way combines social criticism, science fiction, psychological narrative and powerful love story. The combination of these factors makes it incredibly interesting to watch and impossible to ignore its huge contribution to the cinema medium and science fiction genre. Fritz Lang’s masterpiece is full of allegories, symbols and metaphors, but nevertheless it tells quite simple story though makes it in a way that makes viewer feel involved.
The story tells us about the struggle between two different classes, which are represented by the love-duo of Freder and Maria who met each other by chance. The struggle takes place in the dystopian futuristic city of Metropolis which is ruled by indolent and cruel industrialists, who live in big skyscrapers and oppressed laborers who live underground. As you can see, Mr. Lang puts working class under the ground literally where they work hard so the city can stay alive, no matter what the cost is. Real millionaires of that time would be probably happy to put rebelling working class out of their minds and sight -under the ground. In the era of industrial progress when machines started taking control over the manufacture and human life in general, Metropolis turned out to be especially up-to-date. This industrial circumrotation was portrayed as horrible and fearful Molloh which can obviously be interpreted as Biblical symbol. While in real life hard-working families were hungry and oppressed with their job being taken from them and given to machines, Molloh-machine eats workers like a hungry giant or a savage beast in the movie. As Mr. Roger Ebert said, Metropolis forestalled countless symbolic and futuristic cities of the many films to come (Ebert). The City of Metropolis is a symbol of inequity and oppression because it is built with unhappiness and