al events, Roman Catholics preserved many of the ancient paintings from the ancient history of Christianity and renovated them through the medieval periods till the modern era of architecture and art. Majority of the paintings found from the history of civilization process of Europe during the Renaissance period show an indisputable integration of religion and art that passed through Christianity and Jewish art and culture. This paper will make an appreciation of the Sistine Chapel at the Apostolic Palace in the Vatican City as a monumental evidence of the relationship between art and religions in the medieval Europe.
The Sistine Chapel is one of the most reverent and oldest religious monumental buildings owned by the Christian community. The present day’s appearance of the chapel has travelled a long way of multiple transformation processes during the regimes of various Popes ever since its creation. The Sistine Chapel carries the glory of being a unique construction by the historical integration of Christian ideologies with the Jewish artistic skills. Located at the Papal Palace, the primary function of the Sistine Chapel is to be the venue of the Papal Conclave which conducts the elections for the pope. This monumental construction also functions as the center for Papal Chapel, the organized body of clerics and priests of the pope’s palace.
This chapel works as the stage for conducting the collective masses in the palace to celebrate the reverence of the pope on distinguished occasions. The chapel has a historical tradition of observing the Sunday mass under the priesthood of the pope. However, these masses are limited to the service of the elite group of Vatican City and to the invitees from special classes of Rome. In other words, these masses are exclusively open to the special guests and are not open to the common public. Moreover, the chapel has the conservative follow up of a system that sees the closure of the religious functions on the occasion of