Conversely, the Visual Art is regarded as a form of intellectual and cognitive learning skills and experiences. For example, the construction of the circle, rectangular drawings, and painting composition procedures are described to be having ability of demanding high judgment values from the painters. The body entombment was presented in its original size, shape, kind and color complying with the law of nature. In addition, the measurements and the proportions of the living creatures that were around d the death served as a point of reference in making the Entombment justification to be a real event (Zirpolo, 2008). However, death body manifested itself when the limbs and other parts of the body could not be able to perform any duty of life function. Nevertheless, apart from the color, size, function and the kind composition abilities evaluated, individual confirming dignity of the entombed body was addressed. For instance, the clothing used in the death event presented type, function and dignity, a factor that was very essential in the ancient painting. The Raphael entombment picture was pleasing and appealing; it had a mixture of old men and youths without indicating a virtual emptiness. Additionally, the attitude and gestures were not appearing in the entombed feature as the mourners were in full control of the entombed movement activities (harmony in accordance with the action). The entombment emotions were presented moving in different directions presenting grief and anger.
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