In this regard Ridley Scott’s Prometheus is a classic example. Prometheus is a science fiction genre movie released in 2012. Its stellar cast comprising of Charlize Theron, Noomi Rapace, Michael Fassbender and Idris Elba, mind blowing visual aesthetics and acoustics, and unusual directorial dynamics make it truly a worthwhile watch. This paper examines Prometheus from numerous perspectives including direction, sound design, visual effects and salient mise-en-scene features.
Prometheus is set in late 21st century (year 2093) and therefore, a futuristic ambience is evident in the entire movie. A team of scientists embark on an expedition in Prometheus to a distant world, an Earth-sized moon LV223 orbiting around a gigantic planet, to find clues about the origin of mankind or the creator of human race called the Engineer. Eventually, the movie transforms into a battle for survival of mankind.
Visual effects make the impact of a sci-fi movie extremely strong Prometheus is truly a stylistic movie in this aspect with its stunning visuals and CGI effects. The film is Scott’s first full 3D directorial attempt but it appears as if he is an expert in this domain. Scott’s finesse on the art becomes apparent right from the first frame where an inhuman character is shown seeding the Earth with life. The scene’s captivating impact has been enhanced by the cold and white atmosphere and audience instantly understand the theme of the movie.
Sci-Fi genre is not about showcasing marvels of technology but about embodying it and employing a forward reach in both narration and technology (Whittington 115). In Prometheus the amalgamation of VFX and realism is brilliant as it ultimately creates a believable aura without bombarding the audience with excessive high-tech gadgetry and animation (Lambert 7). Prometheus has more than 1400 3D VFX or visual effects but the subtlety of VFX gets proven from