It is worth noting that different painter in history displayed their work communicating sorrows in the society (Bednarik 92). These artworks depict that the society can make individuals be sorrowful in different ways and under different circumstances. Some of the artists who exploited this vice in the society included Hammershoi (before the 1900s), Kathe Kollwitz (1900s-1950s), and George Segal (post-1950s). Vilhelm Hammershoi was a Danish painter who started his artwork in 1883, but it is noted that as he continued his work, he was fond of repeating some elements of his work. Hammershoi’s works were mainly of women portraits most of whom were depicted as being unhappy while performing certain chores (Bednarik 68). This fact may have been based on the fact that he mother gave her private drawing tuition at the age of eight; therefore, it is most likely that her mother mainly used portraits of women to train him. Notably, Hammershoi used colors carefully for communicating his ideas and subject matter to the audients. In most cases, he used oil on canvas to bring the deeper feeling of his artworks (Kleinman 182). In other words, Hammershoi painted mostly images that formed his immediate life or environment. However, he developed his techniques and skills of painting, which have been depicted in numerous masterpieces. In his 1885, he painted an “old woman at the window” with varying brown shades. This portrait was of a woman seen in a full-length posture. The work seems have been borrowed from Vermeer. However, it had a special skill where the shoulder of the woman has been tilted three-quarter way towards her back (Tymieniecka 179). This showed how Hammershoi made it possible to display difficult physical characteristics in portraits from virtual images. This made him earn legacy in abstraction techniques.
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