Sounds, creepy imagination of the characters and the cultural critique and personification are twisted within lunatic characters in each episode (Hardy &Thomas, P. 56).
The lines of the movie are connected two distinctive points expressing the textures, shapes and the divisions of the movies. The entire lines have clear direction, width and length expressing the highest quality of artistic standard representation.
The color of the episodes combination and choices is well designed organizing and emphasizing information, differentiated items and depth creation. The color represented by the episode is well balanced giving unity and contrast of characteristics represented.
The episodes of the Tom goes to the Mayor applies a three-dimensional object fixed with quality mass and volume. The alignment of the episode representation of the 2d and 3d shaping of the episodes create different sizes, alignment and shaping visualizing the typography of the movie episodes. However, the incorporation of the 3d spacing of the episodes create illusions, reduced noise as well as increased readability of the letters represented by the carton chats. The white spaces also provide a strategic layout of the movie (Hardy &Thomas, P. 23).
The patterns and textures have repetitive elements, texture and patterns designed in the episodes strategically to attract as well as deter the viewers’ attentions and perceived feelings. In addition, the objects represented by the episodes are composed of multivariate shapes, area and graphics differencing color and values (Hardy &Thomas, P. 36).
The episodes motion occupies a clear dominance through contrasting and scaling as the elements of the episodes illustrates subordinate and focal points representations. As the motion similarity of the episodes is created, real and exaggerated motions is throughout the episodes. Real motion is used to provide the significance or hierarchy of the episode items. For example, exaggerated sounds,