He became the leading Florentine artist for three decades after the death of Giotto. Gaddi’s earliest work is a small art with the Virgin Enthroned with Saints and Child. However, conceivably as early as 1328, Gaddi had by this time started to work with Giotto on the fresco decoration of Santa Croce. The earliest work of Gaddi were scenes from the lifespan of the Christ and the Virgin completed on 1338 (Richardson, Lymberopoulou, & Woods, 2007). Gaddi gave his work more devotion to picturesque also known as narrative detail.
Even though Gaddi copied most of Giottos work, he introduced more complicated elements in his work by going beyond Giottos work. He gave his work individualized figures and simplicity that freed his scenes allowing his work to have a universal and dramatic effect (Stoner & Rushfield, 2012). Therefore, Gaddi’s work is livelier and less powerful when compared to the work of his master Giotto. His groundbreaking spirit led him to try out with the representation of light which is vastly effective. Charles, Manca, and McShane (2014) affirm that in 1338, Gaddi adorned the sacristy of Santa Croce using panels that represented the lives of Saint Francis and Christ. Moreover, in 1341 to 1342, Gaddi seems to have been working in San Francesco at Pisa and in San Miniato al Monte located outside Florence. During this same time, he painted the walls of the refectory at Santa Croce. This was one of his impressive work that was a tree of life. The tree of life was surrounded by different settings from the lifespan of St. Bonaventure. The work was rich in iconography and had much vigor. After the death of his master Giotto in 1337, Gaddi assumed leadership of Giotto’s school located in Florence
The root of Renaissance appeared in Italy, where banking, capitalism and urban life had progressed rapidly. By the 14th century, the city of Florence was among the leading center of international finance. From the several teaching of Saint Francis of