The Devil Wear Prada MovieThe Devil Wear Prada Movie With the growth in the global economy, female leadership levels stabilized. This 2006 movie shows female power based on relationships of career, friendship and love in complex and at times paradoxical opinions. Female power relationships detailed in the movie, portray that women use power appropriately to ensure they maintain their business competitiveness. This surfaces when Andrea acts loyal to Miranda when she attempted to alert of the coup that intended to overthrow Miranda for a younger woman. However, love and friendship linkages depreciate as women become successful professionally. In spite of relationship drawbacks, such movies portray optimism and stable female figures for young females in the workforce (Danya 70).The Girl Next Door movie With the high and improved economic standards, their enhancement occur in life and consequently, because of westernization, social evils such as prostitution and production of pornographic materials have sprung up. In this 2004 American teen film, the main actor Matthew (an honour student), decides to love for the first time a girl next door, but in the process meets challenging circumstances after he learns of her former porn work. The Patriarchal Archetype of Women Heroines According to the producers of The Girl Next Door movie,’ the female character, Danielle (Elisha Cuthbert) contrasts to her male counterpart Matthew Kidman (Emile Hirsch) in a way that Matthew holds a higher leadership level due to his higher education. Unlike in the comedy, ‘Baby Boon’ and in the Devil Wear Prada movie, where the female figure confers upon a high social class and at the same time cares for life (caring for the child). On the other hand, Danielle is portrayed as a reformed porn star. It is unclear whether she has any significant form of education. She underwent this social vice in order to sustain herself. During the
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The essay "The Evolution of the Leadership Archetype of Female" discusses the analysis of female films, in the category, discerns these archetypal designs in the texts made of the 3 eras of female films. Women in the film industry remain confined by archetypes of traditional mythic nature…
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