The artist here worked skillfully to make the viewer share these feelings. The artist was inspired by the work and ideologies of modern theologians, who implored the faithful to recognize with Christ in his torment. This painting was intended to point to Christ’s torment by depicting him hanging greatly with bowed head and bleeding wounds. A swarm of other statures forms the backdrop of the cross, and they are frequently notable for their expressiveness. From the artwork, the Virgin Mary weeps piteously in the foreground. Other hosts of statures are in oriental dress just gaze at Christ as if he has somewhat enthused them. These figures reflect a shift from style, but it also permeates the scene with enhanced reality, which in effect makes the episode more available to virtuous rumination (MacArthur 12-25). In this German art, episodes from the Passion have made the concentration of greater independent picture. This approach by the artist bought new probabilities for artists as well as virtuous viewers. The artist seems to have been influenced by the spirit of Transformation, which is why he worked deftly to involve the emotions in meditation of Christ’s suffering and death. His painting dispenses with details of tales and environment and so compels the observer into undeviating engagement with the body of Christ. He has achieved this by showing Christ’s suffering with categorical realism at close proximity to the observer. “His style is nothing but a striking demonstration of the potency of artistic custom in the service of expressive effect.”2 The compacted configuration and superlative costumes of the statures both demonstrate the artist’s experience and emphasize the scenes reality (MacArthur 25-28). The Catholic Church reconfirmed the value of images in Christian devotion and the significance of the emotions in religious experience. These judgments warranted that the Church would persist to stimulate commissions for Italian painters, and that the life of Christ would retain its significance in art. Many paintings of the passion of Christ were commissioned for a Church. The body of Christ hanging on the wooden cross pertains to the image of a powerless, undressed tormented man, and many observers of the artwork recognize the culture of crucifixion. The nuisance of Christ’s crucifixion tale on the artwork is somewhat a type of defacement, which is, engraving a sophisticated narrative of sin and consecration onto the body of someone powerless, converting the maimed body of another into a symbol. The painter has used figures and environments in a life-like manner to make the scenes appear existent and the message convincing. Christ is the innermost stature in the painting. The painter has adroitly utilized the symbols and tales of Christianity to narrate the happening in the artwork, shaping how the violence is viewed and understood. “Christ’s crucifixion endeavors to make consequential the suffering of another, but still stimulates another desecration.”3 Superimposing a Christian tale on a worshipper’s suffering to provide that suffering meaning in terms of the individuals causing that suffering thinks a narrative of triumph, salvation, where there is none
Cite this document
(“Any work of art in Baltimore Museum of Art or Walter's Museum Research Paper”, n.d.)
Retrieved from https://studentshare.net/visual-arts-film-studies/78893-any-work-of-art-in-baltimore-museum-of-art-or
(Any Work of Art in Baltimore Museum of Art or Walter'S Museum Research Paper)
“Any Work of Art in Baltimore Museum of Art or Walter'S Museum Research Paper”, n.d. https://studentshare.net/visual-arts-film-studies/78893-any-work-of-art-in-baltimore-museum-of-art-or.
Cited: 0 times
Name Instructor Course Date Interpretive analysis of the altarpiece of with the Passion of Christ: Crucifixion The altarpiece with the passion of Christ: Crucifixion was created in the 15th century by a German artist and is currently on display at Walter Museum’s third floor, Baltimore…
For this report, I’ve chosen an Egyptian work that is related to death/funerary rites, namely, The Relief of Montuemhet and his wife Shepenmut, ca. 665 B.C. This pigment on limestone exhibit was originally excavated from tomb 34 and its dimension is 13 9/16 x 10 7/16 inches.
The research focuses on one Italian renaissance painter. The research also delves into the wood cut art of the Northern Renaissance artist, Albrecht Durer. Art is beauty in whatever form or style presented. BODY Italian Renaissance painting (Metropolitan Museum) Metropolitan museum Italian renaissance Stroganoff Madonna and Child Renaissance means revival (Pater 3).
Beginning an analysis of Nadar’s photography that is called Self-Portrait with Wife Ernestine in a Balloon Gondola, the author mentions that human lives are so intricate that the existence of some people seems nothing more than a legend and only some photography can prove truthfulness of one or other event and existence of any person.
By examining the form, I hope to incorporate my understanding of the two artworks in terms of its artistic elements with its actual presentations. On the other hand, by examining the substance, I aim to elevate my appreciation of the two artworks by putting the primary messages in a wider socio-historical context.
This essay gives information about the Museum of Contemporary Art San Diego. The MCASD boasts for more than 4000 artworks after the 1950s that encourages works from all kinds of artists: from unknown, emerging, and even famous artists in international art communities. The artworks were varied with genres ranging from drawings.
Thanks to the inexpensive nature of the promotion, those waiting in line at 9:30am for admission to start at 10:00am are demographically from all walks of life. students, families, or tours, the one thing everyone has in
The paper analyzes works of Niemeyer Oscar. Being the designer of most of the world class structures it was evident on how the museum of contemporary art was designed and located in terrains unthinkable by modern day designers. The government commitment and economic situation also has a part to play while assisting the construction.
11 pages (2750 words)Research Paper
Got a tricky question? Receive an answer from students like you!Try us!
Let us find you another Research Paper on topic Any work of art in Baltimore Museum of Art or Walter's Museum for FREE!