In the small house where the boy lives, he is with his grandfather and his small sister who both works hard to ensure the family gets the basic needs. The poor peace enjoyed by the family comes under jeopardy when the boy loses the hired Cyclo culminating the change of his life and that of his sister. Through the influence of a poet who works for the Boss Lady, the owner of the Pedi-cab and the same person who stole it, the boy is introduced to crime and his young sister to prostitution. There is violence within the city and the boy is given harder tasks but he is spared from death despite failing to kill his assigned target as a result of a form of developed love that connects him to his deceased mentally retarded son. Capitalism leads to violence and gender oppression in Vietnam because of the failure of government institutions obligated with the role of running the nation.
To effectively capture the themes depicted by the author, it is important to focus on a detailed analysis of two scenes presented in the film. The first scene is essential as it gives the audience a basis behind the young boy’s life as one of the main protagonists in the film. It is through his daily chores where the young boy is ferrying passengers in Saigon City where the mind of the young boy reflects on the voice of his deceased father. The voice is heard by the audience from the background advising the boy on the need to live a better life than that of his father. There is a tone of pity from the voice of the deceased father as he recalls how he left his son and daughter with nothing (0: 01- 6). Buoyed by the words of his father, Cyclo is determined to change the state of his life and that of his family. The idea is almost a reality after a short while where Cyclo with another person finds good news on the newspaper about sourcing for loans from the