In this regard, Susan Glaspell’s play “Trifles” appears to be a perfect example of representation of all essential literary elements of the play’s world for their research and analysis.
For the beginning it must be said that the play “Trifles” is based on real-life story from the experience of Susan Glaspell as a reporter. The thing is that “…she was assigned to report on a murder case: the homicide of John Hossack, a prosperous Warren County farmer who had been killed in his sleep” in approximately 1900 year (MidnightAssassin.com). Being one of the first reporters who arrived at the accident site, Glaspell has been aware that Hossack’s wife is suspected in her husband’s murder, while she swore it was an intruder blood-guilty for John’s death. In a few days, Susan Glaspell has visited Hossacks’ farmhouse. The scenery of its kitchen has made a striking impression on the reporter. As we can see, the story of her further play’s character John Wright’s murder almost doubles the true story from Glaspell’s experience of the reporter. But there is one interesting point, that is, the time of the writing and performance of “Trifles”: “First performed by the Provincetown Players at the Wharf Theatre, Provincetown, Mass., August 8, 1916” (Glaspell). The time gap accounts for almost sixteen years. Then the obvious question arises: what circumstances prompted Glaspell to write the play? Having her previous practice of writing plays during 1909-1915 years, the playwrighter has decided not only to convey her ideas on paper, but also to animate them onstage before audiences. In this intention her husband has served as an active supporter and immediate participant of Glaspell’s ideas. “In 1915, at their summer home in Provincetown on Cape Cod, the couple organized a group of local artists as an amateur theatre group and staged a number of one-act plays in a converted fish warehouse” (Britannica.com). The