One of the most striking similarities between Pollock and YunheeToh in their paintings is that both of these artists took a divergent painting approach as compared to the common painting methods. Toh abandoned the materials that are usually used in painting, which were pencils and brushes and used her hands in creating this painting. Toh used her hands in an attempt to create artistic expressions that were accurate and direct. She opted to use her hands on this painting because she felt that graphite drawings were more time consuming and did not bring out the art form that she desired. Pollock on the other hand, was a liquid painter who later used paint pouring as an emerging technique on his canvases, which became his signature ‘drip’ technique. In this painting, Pollock paved the way for what was later to become the action painting term where the artist deviated from painting on a mounted canvas to working on it on the studio floor. The similarity between these two paintings is that the creation of both of them happened from new dimensions as these artists challenged the Western tradition of using the painting brush and easel. Pollock was an extremist, especially because he went against the conventional painting techniques meaning that he was not afraid to explore. The One: Number 31, 1950 is a unique painting as Pollock did not make his painting brush to interact with the canvas through the strokes being able to create the elements of art. Additionally, Pollock’s painting was quite extreme.
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The essay "Jackson Pollock’s and Yunhee Toh’s Painting" compares paintings of Jackson Pollock and Yunhee Toh. Both of these artists exist in different times of history, but the works they produce have attracted exhibitions that focus on celebrating them and their artistic pieces. …
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